![]() There was no room for this new note on the music staff. This was the first new note ever discovered in Western Music, and the key of F major was born, becoming the 2nd Major Key. (now a days we call the note Guido found B FLAT (Bb) and B NATURAL B). He called this new note that he found B and renamed B natural H. It was just a little too high, and he realized that there must be a note between A and B and he discovered a new note that was there all along in the music spectrum. As he played the note Fa (IV or B natural), he noticed B natural didn't quite sound right. An Italian music theorist named GUIDO D'AREZZO living in Germany started at the note F and tried to play Do Re Mi Fa Sol La Ti Do. Musicians of that time were not aware that the Ionian mode is only ⅙ of the music spectrum. Phrygian (from E to E), Lydian (from F to F), and Mixolydian (from G to G), The most commonly used Church mode was the Ionian (Major) mode, otherwise known as the key of C. Each line and space represented the natural notes (the white notes on a modern piano keyboard) and labeled after the first 7 letters of the alphabet A, B, C, D, E, F, G.įor centuries in Europe, Western Music was made up of these 7 different notes, and was played in the 7 CHURCH MODES known as, Aeolian (minor from A to A), Locrian (from B to B), Ionian (Major from C to C), Dorian (fron D to D). It was a very simple, easy-to-read system.Īs time went on, and to simplify the notation and make the staff easier to read, the musical staff was divided into the treble and bass clefts. ![]() There were no black notes (no sharps or flats), nor any room for any additional notes on the musical staff. Every line and space represented a natural note, the white notes on a modern piano. For the first thousand years of Western Music, the musical staff consisted of 11 lines and 10 spaces, the middle line representing the note C (middle C).
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